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CIA records: wanted to kill using chemical, biological substances

By analyzing CIA documents from earlier days, we can understand the programs of the Agency and its government cousins.

Given the fact that the CIA’s umbrella research program, MKULTRA, went completely dark in 1962, and given the technological advances that have been made in the intervening years, we can draw inferences about present-day covert ops.

Document: May 20, 1975; sent by CIA Inspector General, Donald F. Chamberlain, to the Director of Central Intelligence, William Colby.

Subject: CIA activities at Fort Detrick, Maryland [in the 1952 period].

Fort Detrick was the center of US government chem/bio warfare research.

Here is the opening quote from the document:

“In early 1952, CIA effected an agreement with the Army Chemical Corp for the performance of certain research and development work by the Army Chemical Corp at the laboratory facilities of Special Operations Division, Army Biological Laboratories, Frederick, Maryland.”

And here is a key quote about a research project:

“Adaptation and testing of a non-discernible micro bio-inoculator (device for clandestine inoculation with BW/CW [biowarfare/chemicalwarfare] agents) to determine compatibility with various materials to assure that the micro bio-inoculator cannot be identified structurally or easily detected upon a detailed autopsy…”

Translation: The CIA would test a tiny device for injecting chemical and biological agents into people, killing them—and the fact of an injection would be difficult to prove during subsequent autopsy of the victims.

Death would appear to be from other causes or vectors.

Aside from the obvious use of this method for assassinations, there is the further possibility of “epidemic fabrication.”

The application would be fairly simple. Covertly inject a few people with a germ—and later identify those people as “patient zeroes” or “carriers.”

From there, through the use of propaganda, initiate the idea that the disease is rapidly spreading.

By falsifying diagnostic tests on others—a simple matter since routine tests register many false positives—and claiming a list of common symptoms are indicators of the epidemic-disease (cough, fever, muscle ache, weakness, fatigue), the appearance of a pandemic can be created. (re: “many false positives”,… see, for example, The Massive Fraud Behind HIV Tests)

From that follow the usual steps: the government is rushing a vaccine into production; everyone should be vaccinated; people should avoid large gatherings; suspected carriers can be quarantined.

Staged reality.

The mass-vaccination campaign “against the rising epidemic” inflicts harm. Chemicals (e.g., aluminum, formaldehyde, mercury) and germs ordinarily found in vaccines are toxic and destructive.

So without even covertly placing “unusual” materials in vaccines, people are going to suffer consequences.

You might ask, what about using the CIA method to cause a real epidemic? It’s possible, but the amount of injected (or aerosolized) virus would have to be quite large, for each person, in order to create illness. (For “virus concentration”, see the discussion of “titer” in this article). (For another way they could stage a “real epidemic”, see this article).

Secret ops like this one are funded, go underground, morph, are sometimes shifted to other departments, and develop, over the years.

The public does not hear of them, and does not suspect that its government is devising ways to inflict damage abroad and at home.

Jon Rappoport

Delivered by The Daily Sheeple

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Contributed by Jon Rappoport of No More Fake News.

The author of an explosive collection, THE MATRIX REVEALED, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world.

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